The Method
Full client control over the cast, the locations and every visual element of the film, from the very first stage. Simply and efficiently.
1080pThe films play here at 1080p. Most were finished in 4K broadcast quality.
Full-quality versions are available through the links at the bottom of the page.
Two films
Allot
An Israeli cybersecurity company with 30 years of experience, working among others with leading European telecom operators.
Testimonials for telcos
The brief:
A film for decision-makers at telecom operators, convincing them to offer Allot's cybersecurity services to their B2B customers. It is built from the stories of small businesses, among them a bakery in Berlin and the Touch of Green gardening chain. For each business the client chose the characters, the place and the logo.
Click any image to enlarge.
What the client wrote about the choices
The notes went into the build- The bakeryA hybrid of options 9 and 10. A facade without gold, and bread shelves behind the counter with the logo above them.
- The display caseColourful, designed patisserie: macarons, tarts and éclairs, not just croissants.
- Sarah's logoSugar-Dusted in dusty pink, also on Sarah's apron and the staff's.
- The gardenerA manager, not a manual worker. So a red flannel shirt and a peaked cap, with the workers in green overalls.
What was built from it
The choices and notes, in one worldThe result
The full film, 3:15. At the client's request, the gardener was renamed Frank in the final version.
Allot Secure: Effortless Protection
The brief:
One day in the life of a working mother in Europe, and six moments in which Allot Secure protects her and her family: a phishing link at breakfast, offensive content on her child's tablet, a scam call, public Wi-Fi at a café, a data breach, and a smart assistant at the end of the day. The film ends where the script says it matters: phones away, dinner with the family.
The script set the tone too: warm ambers and teals, and no "cyber red" except on the actual blocking page.
The father
5 of 9 casting sheets shown to the clientPicking the actor was only the start. The note that came back was "this man, but less chiseled". He then went through several corrected versions.
The locations
Seven sets, each with its own optionsThe first round was too big, too glossy and not European enough. Each note produced a new round, and that is what reached the film.
The kitchen
Note: A Berlin kitchen, more European, with the city outside the window, and not as spacious as the previous location.
The office
Note: A more European office, warm colours.
Arriving home
Note: A European neighbourhood, parking outside an apartment building and not outside a private house.
The car
Note: An older car, simpler, more ordinary.
Family dinner
Note: Warmer colours, and here too, a European city outside the window.
The storyboard
For approval and visual sharpeningWhat the client was told at this stageThese frames are not yet the film itself. The realism will be higher, the camera angles will change and cuts will be added. They are a guideline for the models, combined with the modelling of every object and character. So please read the next images as an inspiration board, and use this stage to sharpen anything you want in the frames.
A question this stage brought up, at the caféDo we want this message on a computer or on a phone? Where does she actually open the email? In the script, this isn't clear.
The rebrand
The film stayed in useWhen Allot moved to its new identity, the film was updated with the new logo and closing line.
The result
The final film, 2:38, in Allot's new brand.
Also
ADAMA
A test film based on a short script the client defined in a few sentences. The target audience is farmers in Europe, which called for a European look for the cast, the location and the equipment.
The result
All the elements the client chose, in one film.
Also
City of David
A video series for the City of David, "Following the Findings"
The Golden Bell
The brief:
The illustrations supplied by the client were the only reference for the High Priest's garments, and they had to be recreated with complete accuracy. There was no casting here: the garment was taken apart, each piece modelled, and everything joined for the film.
Joined together
All the elements in one figure, then on locationThe Golden Bell
46 seconds, vertical. The High Priest walks out of the gate, the bell falls and rolls down the steps, and two thousand years later it is found in the City of David's drainage channel.
The Bekah Weight, the Pilgrims' Road
The second film in the series, 58 seconds, vertical.
And a special treat for those who made it this far: Amir's personal debut film, about a little girl who goes to spend the summer at her grandmother's and discovers a whole magical world in the backyard.
A film by Amir Tal · Animation · Short · 2026 · No dialogue · Created entirely with generative AI
Showreel
